P.S. I commented on His Beloved's post, What is the "Meaning of life"
Grading is based on one original post and one response. These two posts add up to ten points per week. The criteria are as follows: Completion; please refrain from poor grammar, poor spelling, and internet shorthand. Reference; mention the text or post to which the reply is directed. Personality; show thoughtfulness, care, and a sense of originality. Cohesiveness; The student should explain his or her thought without adding "fluff" merely to meet the requirement.
Wednesday, March 14, 2012
Just Open Your Eyes
P.S. I commented on His Beloved's post, What is the "Meaning of life"
Adding to the Noise
What is the "meaning of Life"
"If you do not suffer, you don't have meaning. So is our only meaning in this world to suffer? If that is the case, I WANT OUT!!! Ok, that was definitely a joke. True, we can not avoid suffering because everyone will have to go through it. It is a part of life. Some of the questions that we talked about really got me thinking. One specific question I just want to expound upon is "why would we say that meaning is not the same for everyone? Why can't "meaning of life" be defined in a general way?" We discussed that every person has a different meaning of life because we all have different goals. There is a basis from where one draws meaning. So no, every single persons "meaning of life" is not the same, we each have a different purpose, however we all have one thing in common and that is that we do have meaning. If we all had the same general meaning of life, I feel there would be no sense of hope.
Speaking of a sense of hope, I also found the question: "Why does Frankl say that the prisoner who has lost faith in his future is doomed?" portrays meaning of life as well. If we lose faith in a future, we lose hope. If we lose hope, then we have no meaning in life. It becomes doomed. Nothing.
P.S i commented on
SILENCE! Night.
(I love the Achmed skit the comedian Jeff Dunham does, and I thought this title was slightly… calmer than “Silence, I kill you!”)
I was reading Silence and something that really stuck with me was how Sebastian describes the Japanese’s reception of Christianity-- I mean the common people, not the sadistic leaders. Sebastian says, “The reason our religion has penetrated this territory like water flowing into dry earth is that it has given to this group of people a human warmth they never previously knew. For the first time they have met men who treated them like human beings.” Early on in the passage, he says that the people in the village are poor farmers. I got the feeling that they had been really taken advantage of by their national leaders, and when the missionaries started coming over, they saw for the first time hope. Hope that there was someone who loved them unconditionally and who, most importantly, cared.
That section left me wondering, is this how people feel now when we go out to minister to them? Are we bringing water to their thirsting hearts? This weekend is Cardboard City and earlier in the day UM students are going out to minister to the homeless in our area. This is such a great reading to be doing now. How many of the people we will see are in the same positions as these farmers and how many will feel hope for the first time in ages? Someone could come to know Christ just because you cared enough to sit and talk with them for a moment. In that moment, you could give them the biggest dose of kindness they've had in a long time. Food for thought.
P.S.: I commented on Rachel's "Soup"
Tuesday, March 13, 2012
Life is Beautiful
While reading Man's Search for Meaning by Victor Frankl, I was reminded of a film shown to my International Studies class in high school: Life is Beautiful, the saga of Guido Orefice, a fictional Jewish man who finds purpose and meaning amidst the Holocaust's terrors.Guido's story, though not as somber as Frankl's, is just as poignant. He observes prisoners mostly devoid of hope, but for the sake of love, he endures the concentration camp and gives hope to his wife and son, also imprisoned. It was love that drove him to go on each day, even though the pain was great.
Frankl relates a similar experience in his book:
Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us."
That brought thoughts of my own wife to mind... But my mind clung to my wife's image, imagining it with an uncanny acuteness... Real or not, her look was more luminous than the sun which was beginning to rise.Like Frankl, Guido "grasped the meaning of the greatest secret that human poetry and human thought and human belief have to impart: The salvation of a man is through love and in love" (Frankl 37).
Life is beautiful not because the world is pristine- indeed, it is marred with bitterness and unspeakable cruelty- but because there is a glimmer of hope in the eyes of a child, untainted in innocence, and a memory of a wife, to whom her husband once clung in hidden joy. Life is beautiful because love is found in the rough. The hint of light that shines through the darkness is reason enough to live.
EDIT: I commented on Will Drake's "Adding to the Noise."
Thursday, March 1, 2012
Good Hunting
p.s. I commented on jannah lyons post
Wednesday, February 29, 2012
"The Bear" seemed a bit confusing, but then again what Honor's Lit. Assignment isn't somewhat confusing? What I took from the story was that there was a man, Isaac, who did not want to take responsibility for his inheritance. That Isaac also wanted to live a life more imbedded in the natural ways, he wanted to learn to hunt and survive like the Native Americans did. The is also this bear, Old Ben, who is like the oldest bear, the legend of the forest. Their is almost something human found in him, he's not some ordinary animal, a man must have a level of respect to even see Old Ben. There is Sam Fathers, Boon and Lion. Through the whole story the author deals with issues of slavery, reconnecting with nature, ownership, and (from my view) responsibility.
I think Faulkner wanted his readers to question ownership. Can humans really own anything? Can we own the land, animals, other humans, our spouses, or even our children? Why do humans feel comfort from owning things? I think through nature he wanted to show his readers, we don't have to own things, that we can live peaceably without titles or deeds. Also think that he felt we don't need modern technology to solve our problems, which is why he killed off "Old Ben" with a knife instead of a gun.
I hope this doesn't confuse to many people myself. Does anyone else agree with me? Or offer different perspective?
P.S. commented on Rachel's post
Bear
Tuesday, February 28, 2012
Rabid Run-ons ;)
P.S. commented on Callie’s “So Much Allegory”
Language as Related to Sin and Our Sin Nature
So maybe this doesn’t exactly pertain to the discussion we had in class, but it kind of does. In class today, Dr. Mitchell made a comment about sin, and I can’t remember what that comment was at the moment, but it led to a discussion after class between Regis, Dr. Talmage, Dr. Mitchell, and I. Dr. Mitchell and Dr. Talmage are of the opinion that language is intrinsically linked to sin. I happen to agree with them.
So the question is, when does the sinful nature develop in a person? The answer, when language develops. Now this is where the theory gets interesting. When does the knowledge of language develop in a person? Is it the same time as we are held accountable for our sins? I believe that our knowledge of language develops before we held accountable for our sins. I could be VERY wrong here. But this is my opinion.
We have knowledge of language and the ability to sin long before we understand what it means to sin. I babysit a family back home with an 18 month old who, last time I was there, was not yet speaking in an understandable way. I observed her interactions with her siblings, mother, and me while I babysat her and was surprised to see that, while she couldn’t speak, she was able to sin. She could understand what we told her to do, but she chose to disobey us. Because she couldn’t speak yet, sometimes it seemed like she couldn’t understand what we told her to do, but after much observation, I saw that she could.
Children begin to understand what you are telling them much earlier than is apparent. It’s the reason babies are able to learn, and use, sign language from about the age of 6 months. So the question is: when does this knowledge of language, turn into a knowledge and awareness of our sin nature? This is a question I can’t necessarily answer. But it’s a question I shall definitely be pondering for a while.
I know this doesn’t necessarily relate to our readings or discussions in class, but I thought it posed some interesting questions. I also thought there were some interesting ideas brought up.
I will see you all in class Thursday and I hope everyone has an incredible Spring Break!
Until next time
~Meghan
P.S. Commented on Josh Spell's post Life is Beautiful
Monday, February 27, 2012
So Much Allegory
I would like to comment on the rich allegorical nature of Faulkner's work. Every little detail with faulkner has a meaning, significance. There is no choice that is made without a reason behind it. Take for instance when Boon asked Ike for a dollar while they were in town. Ike initially was reluctant to give Boon the dollar, but then he decided to. Faulkner could have summed up the whole moment in this one sentence, but instead he goes into great length as to how Ike would not give him the dollar, but then is reminesing about some past event which changes his mind which results in him giving Boon the dollar. Everything in The Bear is like this, there is always a reason as to why something is done the way it is done, Faulkner always provides an expanation. Moreover, there is no part to the story that does not relate to Faulkner's true purpose. Even the bear's footprint fading away into the dirt is given an allegorical meaning. Faulkner speaks of this fading as a "healing," suggesting his belief that letting nature take its course is the best, the therapeudic remedy to all of the problems of the world. Moreover, this theme is continued throughout the whole work. When the Bear is killed Sam Fathers falls over and a few days later, just "quits." It is as if when Old Ben, the symbol of nature and his whole way of life dies, Sam Fathers no longer has any reason to live, or put another way, the death of the Bear sucked the life and purpose out of Sam Fathers. There is no end to the allegorical meaning that we can pull out of Go Down Moses.
PS. I commented on Joy's "Bad Title I know"
Sunday, February 26, 2012
Bad title I know - Blog 6
PS - Amanda G
Wednesday, February 22, 2012
Moral of the story: get pumped about heaven
Oh hey, Faulkner. We meet again.
I didn't really get much out of this reading besides man's attempt to control nature. Then once nature is conquered, we realize it was not our's to conquer in the first place. Isaac (and Faulkner) follow the Native American ideology about land ownership and respect for nature. Old Ben was majestic and powerful and seemed to have authority over all nature. Isaac had opportunities to kill Old Ben but didn't because he respected him.The hunters even seemed to think they had an understanding with him, as if they could negotiate with a bear! Isaac believed that nature was for the benefit of everyone and should not be owned by any one person, and hunting Old Ben with the intention to kill was an attempt to own and conquer him.
Commented on Lane's
The Bear...
"He seemed to see it entire with a child’s complete divination before he ever laid eyes on either—the doomed wilderness whose edges were being constantly and punily gnawed at by men with axes and plows who feared it because it was wilderness, men myriad and nameless even to one another in the land where the old bear had earned a name, through which ran not even a mortal animal but an anachronism, indomitable and invincible, out of an old dead time, a phantom, epitome and apotheosis of the old wild life at which the puny humans swarmed and hacked in a fury of abhorrence and fear, like pygmies about the ankles of a drowsing elephant: the old bear solitary, indomitable and alone, widowered, childless, and absolved of mortality—old Priam reft of his old wife and having outlived all his sons."
I think this passage really goes along with the theme of our recent discussions. In the allegory 'The Other Side of the Hedge,' there is a stark contrast between the road of progress and the garden of tranquility. Faulkner likewise contrasts the 'men with axes and plows who feared it because it was wilderness,' with the raw power and mystery of the bear. Though it almost sounds like Faulkner is a hippy at first glance, one can see that he is getting at the real beauty of the earth, the original intent of and power of wilderness. It's as if he is ok and is promoting the wilderness. Both Faulkner and Forster seem to have similar stances on progress, they perhaps have a different view of the alternative. Forster's garden is vastly different from the kind of forest Faulkner portrays.
So I would like to offer the difference between the road, the garden, and the forest; I call forest.
--Commented on Tori's, yo.
Is the "Grass" Really "Greener"???
Through the Hedge, the Moat and onto....
So anyways from the reading, I got that the Road represented life, our fast-paced self absorbed life. The Hedge in a way represented Christ, and the Moat represented Baptism. However to me the other side of the hedge, represents heaven in a way. It seems perfect and endless, also time stops there. The pedometer the narrator carries cannot work on the other side of the hedge.
My question is does the other side of the hedge represent the garden of Eden or heaven? I know that it represents where man first started off. It is the origins of mankind, our urge to 'walk' represents some downfall. We leave 'paradise' the walk a road which never ends, it continually loops and doubles over. We leave a lush green land of plenty, for a dusty dry burdensome road. We yearn for our own discovery, only to discover what we left behind.
Maybe this is confusing but this is some of what I got out of it.
To Narnia!!!! Through That Hedge!!!
.................
The Bear is hard for me to follow, I’m not opposed to hunting by any means but I don’t fully understand the lingo. With its whole hunting theme it’s just not my cup of tea, I first started it and I was reminded of reading The Nick Adams Stories in high school and I absolutely hated that semester of English where we read all these hunting, fishing, stereo- typically masculine stories that, might I add, had very few female characters at all. Sorry to go off about Nick Adams but I really hated that little unit we did… just know I have a very serious nickname for them that I shall not say here.
-commented on Meghans
P.S. posted on Cameron White's
Going On a Bear Hunt!
I have to be honest, I didn't really like “The Bear” (not “The Bear” as in Dr. Bear who is quite cool, but the “The Bear” as in the reading by W. Faulkner which is not-so-cool). After a few pages, it started to remind me of when I had to read The Call of the Wild in 9th grade: extremely boring and reminding me of the other more interesting things I’d rather be reading, like The Hunger Games! So instead of typing about surviving in the wilderness, I’m going to type about No Exit, which I thoroughly enjoyed!
I think I mentioned in a previous blog how I like it when things from different areas of my life line up with something I learned in a class. Last Sunday at North Mobile, Pastor Ed started talking about how we are always looking for something else to fill the void that only God can fill. That made me think about when we were discussing “No Exit”. How each of the three people were looking for someone to affirm what they had done while they were alive. They were all looking for someone to tell them that they mattered even though they were dead. The pastor said that unless you are profoundly sure of your own worth, you will always be looking for someone or something to affirm you. The only way to gain that certainty is through the love of God. I know that Sartes probably wasn’t a Christian, but I think he’s kind of opening his readers mind to a greater truth. It is impossible to find your true worth through human beings or actions. It’s like Inez said to Estelle, “Suppose the mirror started telling lies?” You could never truly trust another human to tell you of the true you. The only One who could do that is the one who built the model and wrote the manual-- the Creator. Sort of feels like I’m rambling, but that’s what was on my mind tonight.
P.S.: I commented on Jamie's "The Road vs. The Other Side"
Seeing God in The Bear, at Least in My Mind.
“Because he recognised now what he had smelled in the huddled dogs and tasted in his own saliva, recognised fear as a boy, a youth, recognizes the existence of love and passion and experience which is his heritage but not yet his patrimony, from entering by chance the presence or perhaps merely the bedroom of a woman who has loved and been loved by many men. So I will have to see him, he thought, without dread or even hope. I will have to look at him.”
Originally I had thought to focus on Faulkner’s use of descriptive words in The Bear, of which there are many, since I spent all night last night writing about descriptive words in poetry. But then, this passage caught my attention, and stuck with me. The emotion he seems to be experiencing me, reminds me of the emotions we experience when we as Christians think about meeting God. It seems that he is yearning to see the bear, even if he isn’t going to kill it. It’s almost an obsession with seeing the majesty of the creature.
It’s the same with us and God. We long to see God, and yet we fear Him because His majesty is more than we can comprehend. Yet, like and unlike the boy, when we think about seeing God there is no dread, but there is hope. We hope for something we know nothing about, we hope to see our creator. The boy made the decision that he HAD to see the bear, but there was no assurance he would. We as Christians know that we WILL see God one day since we have accepted the gift He gave us by sending His Son to die for us.
I realize that this is probably not what Faulkner was trying to get at with that passage, but these are the thoughts that popped into my head when I read the passage, and they refused to leave me alone. I’m looking forward to discussing this tomorrow, because this is a very intriguing story that will be fun to delve into.
Until next time,
~Meghan
P.S. I commented on Will’s post “Control”
Control
"BIG" "FAT" "UGLY" BEAR
Isn't it Ironic??
As far as the text goes, I noticed something about it that I didn't the first time I read it. Isn't it ironic how the turn of events played out for the narrator? He starts off by giving us the impression that he was happy that he did not end up like his brother. He claims to have walked more wisely. The idea to notice here is how the rest of the story plays out. When the narrator gets to the other side of the hedge, he continually sees the people of the other side singing. The fact that there was a man to help him through this new area for most of the remainder of the story leads me to wonder if this was intentional of Forster. Then at the end, we notice that the narrator is being aided by the very person he went left behind in pursuit of a "wiser" travel, his brother...
p.s. I commented on Susan's Life on the Road.
William Faulkner's Sausage Festival!
-George S. Patton
As of this moment, not a single person has commented on William Faulkner's The Bear so I guess that duty falls to me. Yes, duty, now that is the appropriate word, isn't it? For those of you who have actually been reading this piece, masculinity is front and center for the entire duration of the piece. Maybe I've been misreading it, but I have barely seen an ounce of feminimity in the entire story, and with good reason. The story is about a boy being instructed on how to hunt-that's the story on its most basic level. He learns to go to the tree stand on his own, how to handle a gun, what not to do in the woods, etc. He also learns about the various creatures that live in the woods that the protagonists call home and the dogs they use to help them hunt. But of course, that's just the surface level-what I see is all about what it means to be a man and the measure of a man. Of course, what the heck is that even supposed to mean anymore?
Consider what the current perceptions of manhood are. TV shows portray a man as either a business and pleasure minded scoundrel (Mad Men) or, on the opposite, completely lame and spineless (Samantha Who?). There's the infamous commercial for Dr. Pepper 10 in which a group of militant men race through an action packed jungle talking about how manly their drink is and end the commercial with the words "Dr. Pepper 10-it's not for women!" as though manhood is some exclusive club. Manhood is equally dividied musically, with thugs and sex fiends on one end and more courageous and selfless heroes on the other. What is the measure of a man?
The main way that Faulkner expresses masculinity is through his language. It's very dry but very descriptive, and he doesn't skip on a lot of details. To me his writing style is like an old leather bomber jacket-wrinkly, smells funny, durable, and many stories to tell. It will never fail you, it is always dependable, and there is a strong, silent dignity about it that's hard to replace. That also serves to describe Sam and the hunters that teach Ike in the story. They're battle hardened, they're capable, and what drives them the most is a sense of duty. They want to teach Ike how to hunt so he can carry on the tradition. They want to protect the land and follow its rules because it's their home. There's no need for romantic or soft-spoken language in here, because the men in this story don't hold Ike's hand when they're teaching him to hunt, but they are determined to make sure he follows through, because that's duty. If loyalty is the Biblical hallmark of womanhood, duty is the likewise hallmark of manhood, and though Faulkner may not be writing with that specifically in mind, the prose speaks the truth.
Thank you for reading, feel free to comment as you please. I commented on Anna Rhodes' Let's Go Off-Road!
Let's Go Off-Road!
History goes through time in waves. Ideas enter the general consciousness one minute and in the next they are gone. Progress is one of those ideas and is the central focal point in Forester’s Over the Hedge. One aspect of the poem that struck me was the main character’s mind-set of progress. He almost seemed brainwashed. He felt that he must continue to move on. He only stopped walking because he was so tired; his stopping was “shocking” to him. Lost of all motivation he laid on the ground praying that he might give up. He could not seem to give up, but there was something inside of him that wanted to. Once he was in the garden, he still did not want to give in. It was not until the very end when he took a drink from the garden, that he finally accepted the idea of life off the road. This is pivotal. The character not only turned away from the never stopping mindset of the road, he was faced the new idea of success found in the garden that he could choose to accept of refuse. In the garden something is worthy just because it is. The traveler was faced with the decision to stay on the road, which he was familiar with, or stay in the garden with a new idea of success to get adjusted to.
P.S. I commented on Callie's Blog
just call me indecisive... but not really ;)
In the poem, it also speaks of the hedge as a barrier. I think many people lose the joy and peace of salvation because they start looking at all the rules, and faith becomes legalistic and a list of what you can and can’t do. Yes there are rules, but when you desire God before anything else, then doing right isn’t something you have to think about, it’s a natural overflow of the heart. In this way, the hedge shouldn’t begin to feel like a prison, because it’s what you want to do- not what you have to do.
On a final note… I liked Ms. Bear. I do not like “The Bear.” I couldn’t find anything to blog about with that... and the run-on sentences are driving me crazy! Ok, I’ll be done with that rant and this blog so I can get back to reading… Class tomorrow should be fun :)
P.S. Commented on Mallory’s The Road
*my comment explains further why I wouldn’t choose either of Forster’s options
Life on the Road
Road Vs. The Other Side
Would I rather live on the road, or the other side of the hedge? I have been wondering for a while now. I'm a science girl. I love looking for answers and finding new ways to do things, so at first it would seem only logical that the road is where I belong. Could I ever be truly happy in a world where there is nothing to accomplish and nothing to discover? The more I thought about it though, the more that I was sure that, if faced with the decision, I would most definitely choose to live on the other side. Maybe I'm crazy, but I honestly think that I would be happy. The idea of living in a place where I didn't have to worry about success is really appealing to me. To look over and see a boy running just for the sake of wanting to run or to hear a woman sing just for the sake of wanting to sing is an amazing thought to me. Maybe I'm the only one who feels this way, but the other side of the hedge sounds pretty good to me.
p.s. Commented on Callie's "Man's Search for Meaning... in a Hedge"
The Road

At breakfast this morning my youngest brother told me about the allegory he is studying in his English class. I told him we just studied a little bit of allegory in Honors but I don't like it. Then i realized, I was probably making a general statement about Allegory when what i really meant was "I don't want to live on either side of the Hedge."
Tuesday, February 21, 2012
Man's Search for Meaning...in a Hedge
I find this view of the other side of the hedge to be very interesting. Man constantly searches throughout his entire life for meaning, purpose, something greater. There is constantly talk of the gods, and of utopias and heaven - a place where we will all be content and satisfied with life "as is." However, when we actually see such a society drawn, such as Forster's "other side of the hedge" we automatically begin to look down upon it. The people to us seem ignorant for not wanting to advance their position in life; we have fears of the boredom that must be present in such a place. Why such a great contradiction? It would seem that there is a great conflict within man as to where meaning/ contentment lie.. for he would like to be content with life as is, but on the other he feels that meaning cannot be found where he is but only as the product of hard work.
I commented on Joy's Reminiscence of Thurs
Thursday Reminisce
“For we of the road do not admit in conversation that there is another side at all.” This passage is marked off in bold on my text. When talked about how the story is very allegorical. We also touched on how it could be assumed that the writer is making reference to some biblical principles. This passage, if taken in a biblical perspective, could relate to unbelievers in the sense that many people who are head strong about there not being a God will typically not admit in a conversation that they have wondered at the thought of there actually being a Divine Creator. Sadly, some believers will not admit in conversation to believing in the spiritual realm (in demons and satan). Let me state here, satan and demons are very much so real and they desire to attach both believers and keep non-believers from hearing the truth. We as believers though have to be willing to know what the truth is so that we can “admit in conversation” the truth. “What I [Jesus] tell you in the dark say in the light, and what you hear whispered proclaim on the housetop.” We ought to be speaking the truth boldly, no lying or cowering back from it. I am going to stop here because I could keep going with this topic.
Dr. Bear did a great job and I enjoyed her teaching on Thursday!
Ps - Callie George
Thursday, February 16, 2012
-The Other Side-
I read The Other Side of the Hedge the other day and this maybe be way off but it kind of reminded me of Pilgrims Progress. That story was in my mind the whole time I was reading this one. It was similar in the way that both characters are on this journey to heaven. Both encounter characters that struggle with staying on the path and could be a discouragement to him. Both journeys are long and painful but are completed with the hope of something better at the end.Is this the story of our lives??
Commented on Tori's:)
02/16/2012
There is one thing that really stands out to me. It might not be on track with what was meant to come across, but I really liked it. When the writer is setting up the story, he tells about his brother. He says his brother "wasted his breath on singing, and his strength on helping others." He goes on to say that he had traveled "more wisely" and about the monotony of the highway. He even points out the cracks in the road that he has seen over and over.
The only thing I could think of when I read this was the two sides of a local church. On one side you have the church member that is always at church. They have their same seat they sit in every week and they talk to the same people. They like to know what songs will be sung and what will be preached. They like being comfortable in their predictable lives.
Then you have the other side that wants to break away from this cycle of going through the motions and simply "doing church". They want to, as the reading said, focus their "breath on singing, and [their] strength on helping others".
Thoughts?
"We won't be satisfied with anything ordinary, we won't be satisfied at all."
commented on Anna's "Drawn to the Hedge"
Casting stones
One of the more obvious things to mention is Inez, Garcin, and Estelle. These people are eternally doomed to be in the same room as one another. They all are trying to hide the reason each is in the room, but they eventually fess up.What I think is interesting about this situation is that even after death, pride and arrogance are still among these folks. They even look for mirrors in the room to get away from each other's constant stare of judgement. I think Sarte intended them to be this way to help illustrate his straight-forward approach in philosophy. It boils down to the fact that they had to face the truth, and could no longer hide behind themselves or their wrong doings.
p.s. commented on Hope??? by NickHampton
Oh, I can burp my ABCs...A...B...C...
Wednesday, February 15, 2012
Hope???
When Living Becomes Life
No Exit. O.O

No Exit.
I really enjoyed reading No Exit, I think that how completely twisted it was made it sort of intriguing.
I liked how each character played into the other ones weaknesses and they’re all so twisted in different ways it just makes for one big hot mess. I guess I just want to talk about how the different people relate to one another.
Garcin treated his wife horribly, and he did it for the sake of breaking her down. Inez did the same thing with her lover and with her cousin. Then there’s Estelle who has an insuppressible need to be wanted for the sake of being wanted, which is cruel because she strings along men with the intent to fulfill her own selfish need to feel like she’s desirable. I look at her cruelty and apply it to the others, like when Estelle is seeing Peter dancing with Olga she says “He belonged to me”, and I think that’s how all three of them viewed other people. As belonging that they could easily toy with and toss away and I think that’s the horror of their cruelty that they have no concern for life outside of themselves. I think that’s ultimately why they are in hell. Maybe that’s why hell, for them, is other people. They had no concern for toying with other people and that’s what they have to face for eternity: not just other people but other people who are just like them.
But what’s weird to me is that even though, in my opinion, they are so terrible to people they all are dependent on validation from other people. Estelle needs for Garcin to validate her physically, as a woman. She needs him to want her and to have his companionship in order to feel validated. At first Garcin needs Estelle to validate him in the sense he needed her to confirm that he wasn’t a coward, and then he needed the same thing from Inez. And Inez is probably the biggest mess of all because first off I feel like she needs to inflict pain on other people because cruelty is her identity, but she also seems to need to prey on impressionable women and kind of woo them into loving her in order to be satisfied. Like with Estelle, she acts like she has to have her and I think that is because of her need to draw her in… kind of like a spider and a fly.
Drawn to the Hedge
“ A little puff of air revived me. It seemed to come from the hedge; and, when I opened my eyes, there was a glint of light through the tangle of boughs and the dead leaves.” (The Other Side of the Hedge sections three and four).
P.S. I commented on Will's "The Other Side"
The Never Ending Race
P.s. commented on Danielle's
Drip...Drip...Drip
Hell is other people?
Although, I fully disagree with the author's hell, it was a very interesting picture. After all other people can very well seem like hellish torturers. I got chills thinking about be locked inside a room forever with two people who knew my flaws, and knew how to use that against me. It does seem like a hellish picture, forever never having rest, constantly having those people jabbing at you. What was the author's meaning here?
Was he trying to make a point? All three of the characters were cowards or disrespected human life. I mean a mother drowned her own baby! They also all did it for their selfish selves, either to protect themselves or empower themselves. To me, I felt the author was trying to say, respect other humans no matter who or what they are.
P.S. Commented on Kelsey's post
Huis Clos
P.S. Commented on Lane's
Alive and Moving
somebody let me come through, I'll always be there,
as frightened as you, to help us survive, being alive!"
-Stephen Sondheim, Being Alive from Company
Maybe this upcoming opera has got me in a really musical mood (as if I'm ever NOT) but as I read E.M. Forester's The Other Side of the Hedge the above song, Being Alive instantly came to mind. Though my details on the plot of the musical are sketchy, it's basically a dramedy about a man named Bobby who has troubles committing to adult relationships and finds himself, on his 35th birthday, confronted with everything in life he tries to avoid. Hilarious and heartbreaking situations follow, and Being Alive is the big closing number. Bobby originally starts the song misanthropic, reflecting his initial sentiments, and finishes with this final verse and chorus realizing the value of everyday life.
It's really quite a beautful song, and The Other Side of the Hedge is a beautiful poem, with connections to the song. Hedge examines the value of life and human existence from a more progressional standpoint, showing the protagonist jogging in the beginning along with many others before finally falling in the hedge. Within, she finds a sect of humanity that does not move but simply stands in place and does nothing. They simply stand around containing great amounts of potential but not using it at all, because that is supposedly the better way to live. Of course, that is not really living at all, and the heroine cries out "Give me life, with its struggles and victories, with its failures and hatreds, with its deep moral meaning and its unknown goal!" Suddenly, the El Dorado chapters in Candide have new meaning and weight. Suddenly, Candide's escape from the perfect city of peace becomes not a selfish endeavour but the result of a deep and longing desire for something more than just comfort and inactivity. There is no life in El Dorado, true life is outside the hedge! I'm beginning that this distinction between apathy and action, between peace and tribulation, ultimately between stale life and true life is the ground upon which modernity makes its stand, and I look forward to seeing what Bonhoeffer and Faulkner do with this tension.
Thanks for reading, please feel free to comment as you wish. I commented on Josh Goldman's Apparently, the Hedge IS Greener On the Other Side.
Second-Guessing
This is something I do often, guessing something about a book, movie, or tv show at the very beginning. Normally, I either forget the thought I had or I decide I MUST be wrong. Most of the time it's because I'm hoping I'm wrong. The rest of the time though, it's because I'm sure my guess is too obvious and the real thing has to be more complicated. It makes me think of tests I've taken in the past where I've second-guessed myself and changed an answer, only to find out I was right in the first place.
I think I do this with God too often. I'll be sure He's telling me to do something and then second guess myself. I've been doing this for years with a calling to the mission field. He called me when I was 14, and I chose to answer that call. After a few months though, I decided that there was no way He wanted me to go out of the country for missions. Now though, I'm sure He does. Within recent years, I've been trying to not second-guess what God is calling me to do, but it's hard. Maybe it's time for me to stop second-guessing what I decipher about books, television, and movies and just try to accept what I've thought.
On a completely different note, I got a chance to spend the evening with Dr. Bear who is speaking tomorrow in Honors and I'm very excited about seeing her teach tomorrow. I have a feeling she will do great tomorrow, and this is something I WON'T second-guess!
Until next time,
~Meghan
P.S. I commented on Autumn's post
Apparently, the Hedge IS Greener on the Other Side
Let Me Outta Here!
So I find it suspiciously interesting that the week we celebrate love and friendship the Honors class is reading two stories dealing with death, just saying.
I just finished reading “The Other Side of the Hedge” and I find it interesting that while it is vaguely similar to “No Exit”, it’s also rather different, like two sides of the same coin. Judging by these two works, death is an ending. Not a reward or specific punishment depending on the life lived, just an ending where everyone sort of ends up eventually. Apparently death is also quite boring. I think the authors are maybe trying to say that there is no relief in death, for neither the good people nor the bad people. Death just… is. That kind of purposeless existence is awful. In both cases, the main character(s) try to escape back into life only to be barred from doing so. Clearly, they don’t want to be there. How terrible must it be if a life full of strife, toil, and unhappiness is better than death.
P.S.: i commented on Will's "The Other Side"
Call It Fate
I kept picturing the "Saw" series while I read this story. In the second movie of the series, all of the people keep questioning why they are there in the first place. One of the main characters, Amanda says that they are all in there for a reason. They all begin to start questioning why everyone is in there much like what Garcin, Inez, and Estelle do in the play. None of the characters are in there by chance. There is a reason why Satan or Jigsaw from "Saw" put all of them in there together. They all committed horrific acts and needed to be punished. Jigsaw put the characters in their own idea of Hell while these characters from "No Exit" are actually in Hell. Though I wish that the Hell in "No Exit" had been worse. I feel like Garcin, Inez, and Estelle needed a greater punishment.
P.S. I commented on His Beloved's post, "Call Me Crazy, but..."
the path less traveled
p.s. Rachel’s Blah Blah -Authentic Self
"Is this Transcendence?"
Which Side of the Hedge Are You On?
Call me crazy, but....
p.s I commented on Jamie's post "Random thoughts on No Exit"
Random thoughts on "No Exit"
The Other Side
Tuesday, February 14, 2012
Blah Blah- Authentic Self.
Unfulfilling Confirmation VS The Only Fulfilling Confirmation
I also liked when Dr. Abernathy said, if you need a mirror or someone to confirm you, you don’t know who you are. It takes me back to the verse in James 1:23 - “For if anyone is a hearer of the word and not a doer, he is like a man who looks intently at his natural face in a mirror.” This verse is rather self-explanatory so I will just leave it at that for whoever reads this to think upon. How often do we hear the word of God but then after hearing it stop there? We feel His leading but turn a deaf heart, ear, mind, or body of service to Him?.
Ps - Lane